Eckbert the Fair

Sawyer Auer LIBLR 123 Take home exam 1 October 23,2012 Tieck Eckbert the Fair Tieks fairy tale of Eckbert the fair strays from the classical conceit of style given to modern font fairy tales. Fairy tales argon oftentimes associated with several defining characteristics extra-ordinary circumstances, happy barings and a moral to be learned. plot of land Tiecks tale does obey ii of these three guidelines, he does so in a negative manor going the opposite musical mode of twentieth century thought.Tieks protagonist Eckbert is first and foremost describe as little more than medium height with minuscule, light platinum-blonde hair that hung in a plain fashion, closely framing his pale, force face. (pg. 35). Eckbert is, normal, plain and pale. Average in more counselings than iodin. A knockout difference with traditional fairy tales has already fork uped itself in Tieks source paragraph. The main character, Eckbert is a plain quiet simple man. As distant to traditionally tale s whitheras the lead is a special person, in special circumstances.Furthermore the panorama changes within the narrative bouncing from Eckbert to his wife Bertha and then back to Eckbert. intimidating and depression social issues plague the story line. Berthas story begins with accounts of her parents beating her. Eckbert murders his friend in cold blood, incest, as discovered in the last page. Conventional, modern fairy tales take into account the youth of their readers and with this their context is shaped to cater to such.Tiek used an arsenal of controversial subjects throughout the story, another way in which Tieks strays from the path from what is considered a fairy tale today. Ludwig Tieks tale has a theme to it, several factors that come back from the base to the end that paint the image that Tiek was attempting to portray through his examples. In the end of the story the message is finally brought to the forefront for the reader, punishing Eckbert for a achievement tha t his wife committed and for his leeching of his wifes treasure.Tiek punishes Eckbert and his wife for their monotonous life style and Bertas flunkal. Yet the punisher (the old woman in b leave out) is pushing Berta to betray her the whole time, as though all she wanted was to learn her fail. The self corresponding(prenominal) is consecutive for Eckberts failures, the old woman, cackling, tells him that she was in fact Walther and Hugo. The two friends who Eckbert feels he needs to divulge his secrets too in order to be closer. Hes met with the same result each time, to his terrified disgust.One reason w herefore this poem is such a stellar example of the romantic terminus is the way it portrays the paradoxical nature of the period itself. The attempt to teach a lesson that and punish the fit, whilst the entire time it seems as though they never had a choice, they were almost destined to fail. Hand in hand with the importance of the lifelike settings to the narrative, it h olds true to romanticism. Bertas journey through the harsh cliffs to the waterfall, we stool see the descriptions changing to represent Bertas environment altering.Nature, the supernatural elements and the paradoxical penalisation of Berta and Eckbert make Tieks classic a romantic poem. Marx The Communist pronunciamento Dialectic Materialism a phrase coined by Marx, and further progressed by other authors who study Marx and Hegel exclusively, is the idea that every economic dodge at its core is based on principle value that lift it to its level best efficiency while simultaneously helping to create an opposing system that will overtake the old atomic number 53 when its flaws see to its demise. Marx cut this occurrent as steps throughout history, which would eventually lead to communism.One system grows to its uttermost efficiency, and then gives hoist to an opposing system that takes the fundamental positives from the prior systems and evolves with them incorporated. In th e Manifesto Marx and Engels talk of the Feudal system of Industry and its inability to administer with the changing world around it that it helped make. Being replaced by the system of manufacturing is sightly an example of marks dialectal materialism, one system be unload by society to be replaced by a more efficient, limpid one (page 66).A revolutionary in Marxs context doesnt charter a positive or a negative connotation, simply a meaning someone who does away with a old system. To Marx, the Bourgeoisie was a revolutionary group for their role in abolishing the feudal system that precluded them the labor would be revolutionaries too, for their (intended) role in collapsing the capitalist mercenary society. Marx and Engels saw the bourgeois as destroyers of the feudal era of natural high quality. (Page 68).Whereas before the Feudal serfdom was still in place, god given birth rights granted the a couple of(prenominal) privileged over the many, thanks to the revolutionary bourgeois that natural superiority was torn d possess , replaced by the stark naked system of cash defrayment, Where economic need and the hoarding of capital separated the few from the many. This recent step or system can be characterized by a term common today, free trade. This bourgeois capitalism survives by taking personal worth away for an exchange value, which Mark states as being for the purposes of exploitation.Through making personal worth an exchange value the brand-new society has changed all major professions into simple wage laborers (page 68). The bourgeoisie are in constant need to change and evolve the methods of product and how production relates to society. Capitalist society defends its rebranding of social values as a inevitable step to continue forward. Just as stated above around the process of dialectal materialism, this capitalist society will follow the same trend as the previous systems. The weakness that the bourgeois society bears is the same burd en that helped them fall the feudal society (page 71).As well as the installation of those that will see its end, and hoist their birth system, the proletariat. Through overproduction and an surplus of industry, commerce, production, these forces no longer exist for the bettering of society, instead they hoist a admit few onto their shoulders, creating those that agree little and those that have a lot. The haves and have nots. Creating the social dichotomy that will eventually lead to the collapse of bourgeoisie society. Baudelaire Baudelaire is a romantic in the most pure sense of the word.He saw the duality in the world, the two forces at odds in his time. The rise of capitalistic values, lethargy taking over, Baudelaire was highly critical of his society and the morals it was rhytidoplasty in the populace, specifically greed and the abandoning of art. Baudelaire believed that mankinds first business was creativity. He believed the good in people was their minds, their crea tivity, the imagination, and its counterpart was boredom, sterility, a lack of purpose, the body and all its vices. Baudelaire turned the negatives into a channel in which to select his creativity.In the poem the old clown, Baudelaire paints a picture of an old clown at a fair surrounded by joy and exuberance. The clown is seen by the narrator, through the crowd and described as such as if, in shame, he had exiled himself from all this splendor I saw this poor clown, bent over, frail, decrepit, a man ruined, leaning with his back a make believest one of the poles of his hut (Page 135). The mode in which Baudelaire describes the absolutes of the two opposing subjects leaves no room for debate. On one hand you have the old clown, absolute poverty, representing that which is used.A human being who once served a purpose placed into the corner alone. While on the other hand, the fair goes on. Baudelaire chooses to even describe the fair using terminology in the genre of economics pr ofit, some were spending specie, others earning it. (Page 135). The duality of the stead is questioned by the narrator after his brief, intriguing interpretation of the old clown. He states that he had just seen a man torn down by his poverty and the ingratitude of the public. Baudelaire uses the old clown and the narrator as a symbol of capitalist modernity.You have the old clown to represent the previous(a) generation who used to be a brilliant entertainer in his day, just left aside to dwell in his own poverty when he was of no use anymore. Marx states in his essay the importance of worth in capitalist society. Baudelaire here shows that when worth in the sense of capitalistic gain an option is no longer, those that cannot produce are cast aside. Even though they once served a role in their own society. The narrator can further press this simply by his actions regarding the old clown.He says to the reader, his intentions of leaving money on the table to help the old man, but suddenly is brush away by the crowd. This is no accident, specifically the wording, of being carried away by the crowd. Its Baudelaires way of wake his audience that society is stripping away human values and emotions and replacing them with the monetary importance and short term happiness. Bel-Ami The film is set in Paris, a rich up and coming seemingly utopian city where to have some is to have it all. Bel-Ami or Georges Duroy is the son of a peasant, returning from war he settles in Paris searching for opportunity.The movie starts with Bel-Ami living in a dirty, drear small apartment, the seedy underbelly of the city, letting the viewer see the two sides of the coin. Bel-Amis first interactions with the bourgeoisies is his run in at a local anaesthetic bar with Charles Forestier, a former army comrade and bourgeois journalist, he extends an olive branch to Georges inviting him over for dinner. A key scene in this early procession is when Charles gives Georges a few gold coin s to buy new clothes with, Georges looks down at his new found treasure and uses a partial amount on the purchase of a prostitute.Its here that a trend and theme of empty adulterous relationships stem from. The modern age in the story is depicted as empty of family values and emotions. Georges first empty sexual encounter is the first of many he is to have. Forestier gives Georges a job at the paper, chronicling his time as a spend in Algeria as a foot soldier. Forestiers paper continues to show a motive of taking down the government through showing the intentions to go to war with Algeria. Marx states the bourgeoisie society has torn away the slushy veil from the family. This statement reigns over the entire story of Bel-Ami.Marriages are decided upon based on social and economic terms, whether or not the couple will be auspicious enough. The viewer witnesses Bel-Amis true metabolism into the bourgeois when he goes to Forestiers deathbed, with the motive to marry his wife in min d. The utter lack of human emotions is laid at the feet of the audience here when the wife accepts, with the image of her husband, dead by ten minutes, in the background. therefore through anger at Walter, the proprietor of the newspaper, Georges uses his amorous lifestyle, the only intimacy he really knows and seduces his wife.Marx talks about the destruction of family values and in its place simple wage worth is put into its place. This statement rears its vile head when Walter confronts Georges for his seduction of his wife and doesnt seem to care he is fully focused on moving forward with the bring down of the government. In the film, theres an ironic undertone regarding the newspapers intention to overthrow the cut government, the group of pompous older men in a closelipped room are attempting to be revolutionaries and overthrow a government that embodies their own wants, nd ultimately their objective is the same as the prior government, with their own economic interests at heart. Marxs theory of the bourgeois revolutionary overthrow of the feudal system comes alive in the final moments of the film. Walters true intentions regarding Algeria, his plan to invade even after the overthrow, run parallel to Marxs double edged praise for the bourgeois revolutionary ways. They overthrow one system to make room for one of equal if not worse intention. Money and power are the corrupting components, taking over Georges integrity.